by J. Kevin
Dunn
 In
the summer of 1990, the last VIA Rail passenger train rolled
through Moose Jaw, Saskatchewan bound for the west coast. A city
that was founded by the railway was left without passenger train
service for the first time in more than a century as the last
Canadian disappeared down the track - six hours behind schedule.
At
that time, I was on the tracks documenting the event as staff photographer
of the Moose Jaw Times- Herald. This was the beginning of my career, and
at the same time, the end of an era in our country's history. I wondered
then, as many others did, how the gradual closing of railway lines would
effect our concept of unity as individuals, families, communities and as
a nation.
The
effect on me was more profound than I'd expected. After that day, I found
myself responding to scenes that represented what was, to me, the "real" Canada
- pictures of old timers in ballaclavas playing hockey on a home-made rink,
images of women hanging laundry with the prairie grass bending eastward under
the Alberta chinook or of kids telling secrets and dancing on the streets
of their small town.
Over
the past decade, I've continued my quest for the unrepeatable moment in time,
but in ways that I hope are typically Canadian. With the scene of "The
Last Train" as a catalyst, I intend to embark on a journey by foot along
a 400 km stretch of railway that once linked individuals, families, communities
and the country to one another under a common perception - Unity.
Beginning at Consul on the southwestern edge of Saskatchewan, I will walk the
southernmost CPR shortline from Consul to Pangman, where the tracks have been
pulled out.
Along
the way, I will pass through numerous villages - places like the Ravenscrag,
Cadillac, Horizon and Admiral to name a few. Some towns like Amulet, Crighton
and Governor no longer exist. (As I found out during my journey) All that
remains of them are stone monuments at the side of the tracks.
By
using the railway as a physical port of entry, I hope to gain a sense of
the human landscape as grain elevators, schools, homes, churches and people
enlarge with my approach. In essence, the tracks will act as a hallway to
individual portals of sanctity - back yards, homes, businesses etc. - and
to the stories, images and history within.
By
staying at hotels, talking to locals at cafes, and by kicking the dust on
street corners as I have done for over a decade, I will explore the concept
of unity through photographs and journal entries. These images will exemplify
everyday prairie life - that which has come, gone or lived on as a result
of the railway.
Undeniably,
I'd like to share with others a glimpse of prairie Canada and the way it
continues to intrigue me as it did for the first time on the tracks in Moose
Jaw back in 1990 - the day the last passenger train left town. |